Romance Writers: If You Want to Sell a Course, Workshop, or Download, Start Here

If you’re a published romance writer (or writer with romance in your storyline)—and you’ve ever thought… I could teach this.I could turn this into a workshop.I could create a guide, a course, a workbook… You’re right. You can. And more than that—you should. Because the skills you use to write romance—emotion, structure, pacing, character, tension—are …

Am I Doing This Wrong? What Romance Writers Often Miss About Heat and Intimacy

The hidden craft issue that determines whether intimacy scenes work—or quietly fail. If your love scenes don’t feel right yet, this is likely why. Romance readers don’t come to love stories only for plot twists or clever dialogue. They come for connection. For the emotional experience of watching two people move from distance to closeness, …

How to Plot a Romance Novel That Sells: A Quick Guide to Structure, Beats, and Emotional Arcs

This excerpt from The Romance Novel Blueprint: Crafting Stories Readers Fall in Love With (Jan 2026), a quick guide to structure your story more easily, align the story beats and emotional arc in a way that completely satisfies readers, and (ultimately) create a book that captivates readers’ hearts and sells. Nailing your story’s structure and …

Before You Write Dual POV in Your Romance Novel, Read This First.

Don’t risk weakening your romance with scattered POV, broken emotional rhythm, or flat tension. Learn how to use Dual POV the right way so it deepens intimacy instead of dividing it. An Excerpt from The Romance Novel Blueprint: Crafting Stories Readers Fall in Love With, Chapter 21: Balancing Storylines, Subplots, and Perspectives Weaving together two …

Warning! Readers Will Put the Book Down if We Make This One Mistake. (Here’s How To Avoid It.)

A quick-read, fast-results postDecember 19, 2025 Most drafts fail for one reason—and it’s not what writers think. It’s not bad dialogue.It’s not weak worldbuilding.It’s not even cliché tropes. It’s this:Our characters aren’t growing emotionally. If the protagonists aren’t changing—slowly, messily, meaningfully—then the story has nothing to stand on. (Readers instantly sense a character’s lack of …

What Makes a Story Feel Magical? Five Techniques That Work Every Time

(The kind of magic readers remember isn’t flashy; it’s felt.) By Erin M. Brown, MA, MFA When readers describe a story as magical, they’re rarely talking about dragons, spells, or fantasy worlds. They’re talking about a feeling. A pull. That moment when a story slips past the intellect and settles somewhere deeper. That kind of magic …

Why Your Characters Have Zero Chemistry (And How to Fix It Fast)

A QUICK READ FOR A FAST-FIX PAYOFF By Erin M. Brown, MA, MFA Chemistry isn’t magic.It’s craft. When readers say a couple “has chemistry,” what they truly mean is this:They can feel the emotional current between the characters. When the chemistry current is missing, everything else collapses: tension, attraction, pacing, and even the believability of the romance …